Cthulhu Cult Staff

The Staff of Cthulhu is certainly unique both in terms of the process and final product. Despite standing at 63” tall (a little longer if you measure with the curve) it’s surprisingly lightweight. The smooth, pale wood provided an excellent canvas for the wood-burning to really pop and stand out. However, the curved nature of a staff meant I had to wrap the image I wanted. The difficulty came in trying to navigate where to put what without bumping into something else. It also required texturing and slight shading which I hadn’t done with a wood-burner yet.

But, as you can see, Cthulhu’s hands, claws, wings, and mass off tentacles all fit within the limited space. Beneath the main depiction and hand grip made of black rawhide lace, are smaller cuneiform-like symbols I used to represent the phonetics of “Ph’nglui mglw’ nafh Cthulhu R’lyeh wgah’nagl fhtagn,” as it is in the Lovecraft mythos. It of course translates to “In his house at R’lyeh dead Cthulhu waits dreaming.” After the pyrography was done I sanded it again and gave it several layers of polyurethane for protection and its aesthetics.

Artist: J.R. Goslant

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My Personal Egyptian Staff

During the summer, I went hiking with a few friends and realized that despite crafting and selling all sorts of staffs and hiking sticks, I had failed to make myself one. That’s when a long, thin, dry piece of pine caught my eye on the side of the trail. I broke it down to size and part of a twisted root at what would now be the top.

After I got it home, I debarked most it, shaped the root a little, and gave it a good sanding. I opted for keeping some of the bark in places because I ended up really liking the texture; I had never worked with pine before, but found it very enjoyable. The bark nearest the top wrapped with a simple pattern of black rawhide lace serves as the hand grip.

The twisted root now holds a “stone” of green glass and several marbles I f(strangely) found while hiking, or on the way to go hiking. It’s also wrapped with waxed hemp and a small amount of copper wire, both for their aesthetics – it really pulls the ornaments together as single section-  and for keeping said ornaments securely fastened to the staff. The bottom of this section is boarded by tan rawhide lace which also serves to attach a number of small charms and beads: an Egyptian scarab; a red bead depicting the ancient Egyptian pharaoh Tutankhamen, a double sided charm depicting Quetzalcoatl on one and the Pyramid of the Sun at Teotihuacan on the other, a ring that accompanied it, and a stragate pendant.

The pyrography displays the ancient Egyptian god of wisdom, Thoth; my name in a cartouche and hieroglyphics; and my name in cuneiform-like symbols. It stands at 65.5” tall and is coated with several layers of polyurethane.

Artist: J.R. Goslant

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